1/27/2024 0 Comments Penny dreadful nudityBut Magda's presence is a constant reminder of the relationship, and her presence becomes inextricably linked with Mexican-American traditions and folklore involving the spirit world.Īs the murder investigation collides with the supernatural, it creates a clever forum that highlights the disturbing political attitudes and racial tensions of the time. The narratives spun here are decidedly American, and the connection to its British past may seem distant. And scene.This well-crafted series combines the Victorian penny dreadful storytelling tradition with Southern California's political, industrial, and culturally-rich history to create a unique horror-filled experience. But alas, we’re not in a Keatsian field of flowers, or whatever he was into, we’re in a gothic horror and so Proteus’s heart is ripped in two by Victor’s first creation, presumably the creature from the novel, leaving the ambitious doctor crying bloody tears on the floor of his workshop. Quoting Wordsworth and fascinated by the ephemera of life, Victor Frankenstein remains the Romantic figure in our gloomy, Victorian landscape his moments with his “monster” Proteus are beautiful in their simplicity as Victor teaches his child-like creation about their world. Though I suppose I should say “reminds,” not “teaches,” as it becomes interestingly clear that Proteus (unlike Shelley’s creature) retains some memories of his former self. You held out way longer than I thought you would. Midway through episode two? Not bad, Showtime. An impoverished victim of industrialization and consumption, Brona gets a scandalous gig sexin’ Dorian on-(old-timey)-camera, and provides us with our first bit of female nudity so far. Dorian would never.Īs if to make up for Dorian’s casting misstep, we’re also introduced to the always-lovely Billie Piper as quippy Brona Croft, who (despite her atrocious Irish accent) wins the audience over almost instantly with her sass and lack of class. I hope the rest of this season rounds out his character – and does away with that awful, slouchy bathrobe. Carney’s Dorian is greasy, skeezy, creepy, and just so obviously evil that it’s hard to imagine him traversing London Society without someone at least questioning why he hasn’t washed his hair lately. Wilde’s Dorian is a beautiful, hedonistic, classy, well-mannered charmer who can win anyone over with a smile and some well-placed words a man so irresistibly charismatic and alluring that he can convince people to do whatever he wants (like subtly dispose of a body). On the other end of the spectrum – and while I have overwhelmingly loved the casting in Penny Dreadful on the whole – the introduction of Reeve Carney as Dorian Gray falls flat for me. Green executes what is essentially an eight-minute monologue with creepy flawlessness she gives us an appearance from Malcom’s dead son, Peter a millenia-old nameless demon who implies Malcolm slept with his missing daughter, Mina and, potentially, an evil Egyptian goddess called Amunet, who is probably stalking Vanessa and wants to end the world. ![]() The episode is called “Séance” for a reason after a medium (played by a criminally-underused Helen McCrory) begins the titular ritual, Green’s character Vanessa Ives is possessed by a series of malevolent spirits in succession. ![]() I would be amiss if I didn’t start this review by just straight-up worshipping Eva Green.
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